A panel inside DaVinci Resolve and Premiere Pro. Insert your camera card and Earwig automatically syncs your footage to the moments you logged on set, and builds your timelines in one click.
Free to download. Runs on your Mac.
You don't copy footage into a project and then hunt for the good bits. Insert the card and Earwig sees it straight away — Sony, Canon, Blackmagic, Panasonic, AVCHD — and automatically syncs it to the markers your phone logged on set.
Earwig auto-detects the camera card the moment it mounts. Already offloaded? Point it at the folder with Add drive.
Earwig automatically syncs your footage, placing every marker frame-accurately — nothing to set up.
Every marker lands on the exact take you shot — you're never handed the wrong film.
Selects cut on your marked words, a Cutaways reel, and an All-Markers timeline — every marker named, coloured and carrying the quote.
Workspace ▸ Workflow Integrations ▸ Earwig Sync+; in Premiere Pro open Window ▸ Extensions ▸ Earwig Sync+. The card-scan lives at the top of the sessions list — Rescan to look again, Add drive to pick a folder.
Pick your editor. About two minutes either way.
.pkg.Workspace ▸ Workflow Integrations ▸ Earwig Sync+.Install Earwig Sync.command and choose Open. macOS asks once because it comes from the web rather than the App Store — Open runs it. It switches on Adobe's setting for panels installed outside the Creative Cloud marketplace and copies Earwig Sync+ into Premiere's extensions folder.ffmpeg (a free, standard media tool). If you don't have it yet: install Homebrew, then run brew install ffmpeg in Terminal.Window ▸ Extensions ▸ Earwig Sync+.Sign in, insert your card — your marked moments are waiting.
Workspace ▸ Workflow Integrations ▸ Earwig Sync+; Premiere Pro: Window ▸ Extensions ▸ Earwig Sync+.
One click — cut on your markers, in your editor.