Everything your crew marks on set lands in the editor's own Resolve or Premiere — footage sorted into bins and every moment marked on their timeline, to the frame. The logging day, done. One production, one pool of hours, every seat, billed to the show.
We're taking on a small number of pilot productions — one show, heavily discounted, in exchange for a half-hour call at wrap and permission to name the production. It's the fastest way to see whether this belongs on your next job, and it shapes what we build next.
Harry will reply to you personally within a couple of days — a real note, not an autoresponder — to line up a pilot on your next production.
Buy hours for the production and share them across the whole crew and every phone. No per-seat caps to babysit — top up on invoice as you go.
Everything files under the show, not scattered across phones. Anyone who joins mid-run sees the lot. Many shooters, many days, one place — with seats you add and drop as the crew changes.
Held in the UK/EU, deleted at wrap, and everything exports cleanly when you're done. No lock-in — your show is never trapped in a startup's database.
Every moment your crew marked lands in the editor's own Resolve or Premiere — footage sorted into bins and each mark dropped onto their timeline as a coloured marker, to the frame. The selects, built and ready; the editor takes it from there. Avid coming soon.
See how Sync+ works